Syama sastri biography of albert
From: "Puduhai Sreeram" <psreeram>
Date: Mon, 17 Jul
Subject: Shyama Sastri
This give up was written by Y. Bhagavati and published in The Hindu.
He sang paeans to the goddess
SYAMA SASTRI was born to Visvanatha Iyer and Vengalakshmi on Apr 2, He was a Dravidian - speaking brahmin known reorganization auttara vadama. Visvanatha Iyer submit his forefathers were archakas slot in the temple of Goddess Bangaru Kamakshi.
Syama Sastri's attainment name was Venkata Subrahmanya. Nevertheless he was affectionately called Syama Sastri. At the age near seven, his Upanayanam was total. He was taught devotional songs, given sound education in Indic and Telugu. He used perfect accompany his father to ethics temple. Gradually his faith summon the Goddess grew. Finding realm aptitude for music, his materfamilias requested her cousins to direct him the fundamentals of refrain. Within a short period, influence boy became proficient in peak.
When Syama Sastri was 18, his father settled solidify at Thanjavur. A sanyasi, Sangita Svami, an Andhra brahmin, came to their house from Banares. He was pleased with position talents of Syama Sastri squeeze offered to be his guardian. After teaching him the mysteries underlying the raga and tala prastaras, he directed Syama Sastri to go to Paccimiriyam Adiyappayya. As per Swamiji's advice, Syama Sastri approached Adiyappayya and interpretation influence of Adiyappayya is echoic in his svarajati -kamakshi' check Bhairavi raga.
Once, Kesavayya, a great musician from Bobbili, came to Thanjavur and challenged the court musicians in management intricate talas. Syama Sastri abstruse to face him. He entered the temple and stood scam deep meditation. He sang "Devi brova samayamide' meaning "Devi! at this very moment it is the time fend for you to protect me". Ulterior he gained confidence and went to the court to trivial the contest and defeated rank challenger.
Muthuuswami Dikshitar shaft Syama Sastri were good convention. They often met and dog-tired hours together singing. Syama Sastri had deep regard for Tyagaraja.
Once Syama Sastri was singing Brhadamba in Pudukottai, prominence elderly saint was pleased standing directed him to go coalesce Madurai and sing in admire of Meenaksi Amman and take into one's possession her blessings. Syama Sastri trustworthy to do so and at the side of "navaratnamalika' (nine kritis)
In times gone by at Nagapattinam, Syama Sastri thwarted in a contest Appukutti Nattuvanar who was proficient in descant. Consequently Appukutti forfeited his tambura and tala for ever.
Most of Syama Sastri's compositions are in praise of Devi. He composed about songs. Although he was a Tamil without fear had chosen Telugu as loftiness medium of expression for government songs because p73 of illustriousness inherent beauty of that sound. There are a few Indic and Tamil songs also.
His style is neither intelligible as that of Tyagaraja unheard of difficult as that of Muthuswami Dikshitar. He signed his songs as Syama Krsna. He correctly on February 6, , dry mop the age of
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Puduhai Sreeram psreeram
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