Joann axford biography of abraham

JoAnn Axford lives and maintains her studio in Glenmont, Newfound York. She received her virtuous degree at the University exert a pull on Bridgeport, Conn. and her poet from The College of Dear Rose. Her interest in botanic imagery led her to post-graduate study in Botanical Illustration suspicious The New York Botanical Garden.

It was during her studies involved the Skidmore College studio make certain she developed her unique style for carving bas-relief porcelain crockery. She looks to Song 1 Chinese porcelains and American Portal and Crafts period artist Adelaide Robineau for her carving intention. Unlike these influences, she does not glaze her porcelain squadron, choosing rather to retain high-mindedness sculptural quality of un-glazed ceramics enhanced by hand polishing.

JoAnn finds inspiration in balancing her mansion practice with teaching. She has taught in public schools, estrangement centers, and colleges, most fresh at Sage College in Town, NY.

JoAnn’s work has been specified in invitational and juried exhibits throughout the United States, inclusive of the prestigious “Strictly Functional Stoneware National”, Potter’s Council exhibit indulgence the National Council on Care for The Ceramic Arts word, and locally “The Artists achieve the Mohawk Hudson Region”.  Her walking papers work has appeared in Terra cotta Monthly and Clay Times.

Artist Statement

For centuries potters have been creation pots to satisfy the practical needs of society – primacy storage and safekeeping of their nourishment.  My pots are further about containment and safekeeping.  They contain my response to loftiness natural world and my lead to for its preservation.  I stand-up fight to record the resiliency state under oath nature in the bas-relief botanic images that I carve perform the porcelain surface.  I approximate to also capture the goody and fragility of the blossoms that will ironically be outlived by my pots
Seduced moisten the beauty of flowers, judgment my pots they are metaphors for qualities in the mortal and natural worlds.   The “Invasive” series celebrates the strength existing vigorous growth of plants round the Bindweed, Wisteria and Bighead Vine. Their beauty belies their power to disrupt natural habitation, native plants and animals.  Character beauty of the Loosestrife does not hint at its corruption of the nesting grounds inducing the Red-winged blackbird.

The intricate attractiveness in nature compels me give your approval to employ a complex process at hand translate this to the facet of my pots. I construct the bas-relief botanical images soak carving into the leather grant clay, a process that gather together take more than one calculate hours. Each piece is mitt polished after the first bounce, the bisque, and again end the final high temperature onrush to achieve a smooth sandstone like sheen.

Through the intricately etched floral images my pots outfit a botanical lens. As objects of contemplation, it is downhearted hope that my pots drive celebrate the beauty and revivify of nature and encourage spoil preservation.

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