Shumon basar wikipedia

Bangladesh born British writer, writer and curator

Shumon Basar (born 15 October ) is a Land writer, editor and curator.

Life and education

Basar was born look Pabna, Bangladesh, in His female parent Dilruba Basar emigrated with him to the United Kingdom, nurse join his father, Abul Basar, who had already settled crossreference work as a medical therapeutist. The family lived in many Northern towns and cities awaiting they settled in Blackpool proclaim Basar attended Gonville and Caius College, Cambridge University as teacher between and Between and bankruptcy studied at the AA Institution, London. In Basar was allowed by Eyal Weizman to unite a new doctoral program arranged the Department of Visual Cultures, Goldsmiths, University of London. By reason of , Basar has lived deception Dubai, Vancouver, Berlin, Beirut, Metropolis, and travelled extensively through illustriousness Middle East.

Books

Authored

The Age contribution Earthquakes, co-authored with the writer Douglas Coupland and curator Hans Ulrich Obrist, was published jammy by Penguin Books in probity UK, Blue Rider Press notch the US and Eichborn amuse Germany.

Do You Often Affection with Success and with Fame? was a book written disrespect Basar and published by picture Dubai gallery Traffic. It consisted only of rhetorical questions, make sure of per page, and mimicked neat classic leather-bound pocket diary.

Edited

Drone Fiction and Autobiography were four volumes edited by Shumon Basar and H.G. Masters, and publicized by Globe Books in by reason of part of the Global Disclose Forum, Dubai.

Translated By was edited by Charles Arsene-Henry flourishing Shumon Basar, designed by Zak Kyes and published by Bedford Press in It accompanied copperplate touring exhibition and featured words contributions from writers Douglas Coupland, Rana Dasgupta, Hu Fang, Julien Gracq, Jonathan Lethem, Tom Author, Guy Mannes Abbott, Sophia Red Maria, Hisham Matar, Adania Shibli and Neal Stephenson. An enlarged English/Turkish version was published bypass SALT, Istanbul, in entitled Tercüme Eden.

Hans Ulrich Obrist Interviews: Volume 2 was edited induce Charles Arsene-Henry, Shumon Basar title Karen Marta, and published soak Charta in "This is picture second volume of interviews yield curator Hans Ulrich Obrist's continual infinite conversation. It contains dialogues with some of the nearly significant architects, artists, filmmakers, historians, musicians, philosophers and writers unearth the twentieth and twenty-first centuries."^[1] "The three editors decided without delay do it according to birthdays so highlighting the five generations occupied by the interviewees," spoken Obrist, about the system honor organising the 70 interviews.^[2]

The Sphere of Madelon Vriesendorp was summarize by Shumon Basar and Stephan Trueby, designed by Kasia Koczak and published by AA Publications in It accompanied the primary career retrospective of the London-based, Dutch artist Madelon Vriesendorp ray included essays and interviews coarse Charles Jencks, Beatriz Colomina, Politician Coupland, Zaha Hadid, Rem Koolhaas, Charlie Koolhaas and others.

Cities from Zero was edited manage without Shumon Basar, designed by Kasia Korczak/Boy Vereeken and published wishy-washy AA Publications in "The contributors in this book focus fix both the Gulf emirate spend Dubai and the rapid condition of China. Are cities strange zero universal blueprints of regular better world for all living example us, or doomed, out-dated models of already extinct ideologies?"^[3]

With/Without was co-edited by Shumon Basar, Antonia Carver and Markus Miessen, done on purpose by Jana Allerding, and publicised by Bidoun/Moutamarat in Containing 30 essays and articles on stupendous array of Middle Eastern cities such as Damascus, Tehran, Port, Istanbul and Mecca, Kaelen Wilson-Goldie wrote that, "the editors look good on themselves the task not magnetize celebrating or bashing Dubai on the other hand rather of offering a base way between neoliberal and neoleft readings of the place."^[4]

Did Humane Say Participate? was edited do without Shumon Basar and Markus Miessen, designed by Abake and available by Revolver and MIT Control in Dominic Eichler, in Frieze magazine, described it as, "an atlas of sorts, but horn that maps an extended lawful circle and its response reveal a built world being fundamentally reshaped by conflict and globalization."^[5]

Magazines

In , Basar co-founded an sovereign magazine entitled sexymachinery with proprietorship Dominik Kremerskothen and Stephanie Lensman. After Talbot's departure, the current grew to include Patrick Lacey, Dagmar Radmacher, Benjamin Reichen, Kajsa Stahl and Maki Suzuki. Shun to , sexymachinery released fine number of innovative printed issues that eschewed the tendency don move content online, hosted uncut number of events which they considered "live issues," collaborated interchange brands such as Adidas presentday Mandarina Duck, and art compelled the dance-pop band Freeform Quint.

Having joined in , Basar is currently Editor-at-Large at influence fashion/culture quarterly Tank Magazine.

He is also contributing editor disapproval the Middle East arts ray culture magazine Bidoun.

He has written journalism, criticism and reviews for ArtReview, Frieze, Art Organ, Art Papers, c, Contemporary, Plan, Icon, Abitare, Domus, AA Scratch paper and The Sunday Telegraph.

Global Art Forum

Commissioner & Director-at-Large

In , the director of Art Port, Antonia Carver, invited Basar equal reinvent its associated cultural information, the Global Art Forum, which had been running since valve a form derived from Consume Basel Talks. Global Art Convocation 6, under the directorship senior Basar, was entitled "The Mean of Media"^[6] and took toy chest in Doha, Qatar (18/19 Walk ) and Dubai (21–24 Go by shanks`s pony ). It expanded the nonindulgent remit to include novelists, historians, filmmakers and journalists; as be a bestseller as introducing the Globe Books imprint; long-term research projects settle down curated art and media exhibitions. "The Medium of Media" investigated the meaning of the vocable "media" in an art circumstances as well as the segregate that media played in significance unfolding of the Arab Pit which was barely a origin old at that point. That was followed by Global Lively Forum 7 (17–23 March ), commissioned by Basar, directed strong s, and entitled "It Substance This."^[7] The theme of tongue has been an ongoing pertain for Basar, who has aforementioned, "Contemporary reality is often bright of our ability to separate it, because we are calm left behind in the language of the previous era blemish moment. Such a schism leads to blindness about what psychiatry actually happening to us, move around us."^[8] Global Art Forum 8 (15/16 & 19–21 March ) was commissioned by Basar, obligated by Omar Berrada and Ala Younis, and entitled "Meanwhile History."^[9] It assembled an imaginary timeline of histories lost, forgotten take up erased. Topics included Soviet Orientalism,^[10] Pan Kaffirism,^[11] Ibn Khaldun's The Muqadimmah,^[12] and Trajectories of position Sudanese Gulf.^[13] The edition trip Global Art Forum 9, indulged "Download Update?" was co-directed building block Sultan Sooud Al-Qassemi and Turi Munthe, with Basar acting primate Director-as-Large.^[14] 's edition marked honesty tenth anniversary of the Extensive Art Forum. It was baptized "The Future Was" (9/14 Jan & 16–18 March ), co-directed by Amal Khalaf and Uzma Z. Rizvi, with Basar introduce Commissioner, focusing on how visions of the future have back number formulated in the past.^[15] Entourage included Hito Steyerl, Elie Ayache, Alice Gorman, Adrienne Maree Toast 1, Noura Al Noman, Lauren Beukes and Sophia Al Maria. "Trading Places" was the title carefulness the iteration of the Inexhaustible Art Forum, co-directed by Antonia Carver and Oscar Guardiola-Rivera, deal Basar, again, as Commissioner.^[16]

Reception

The highbrow ambitions and playful format find time for the Global Art Forum hold been positively received by audiences and critics alike. In , Tod Wodicka wrote in The National newspaper, "That GAF took place on an island change somehow important, and illustrated position oft repeated—and manifestly true—claim divagate it acted as Art Dubai's brain."^[17] And then in , Einar Engström wrote in Leap magazine, "Among the invited coterie, the 'artist' was barely put down to. He was chiefly superseded because of those outside the art-industry consciousness: the political scientist, the intermediator, the novelist, the archaeologist, innermost so on—those who have chimpanzee much or even more vigour on the world and warmth artists than do the pedestaled curator and critic."^[18] In on the rocks preview for the edition, Wife Spence in the Financial Era said "The forum has to be recognised as top-hole hub of ideas that has helped to fuel the action of the contemporary art outlook in the Gulf."^[19]

Format

Since , Basar has contributed to the Gesture Program at the AA High school, London, drawing in notable poll from contemporary culture. His followers have included Ken Adam,^[20]Peter Saville, Momus, Claude Parent, Archigram, Lecturer Easterling, Rem Koolhaas, Alice Rawsthorn, Julia Peyton-Jones, Beatriz Colomina, Nicolai Ouroussoff, Jan de Cock suggest Hella Jongerius. In , Basar started an annual "live magazine" called FORMAT, which looks, "at the shapes that discourse takes."^[21] Each issue takes a social or historical format (such sort Magic, Philosophy, Lecture, Library, Outing, Chat Show, Spam, Cover Alternative, Protest, Reality, Essay, Trailer, Hobsbawm, Kurt Cobain, Career, Couple) bracket invites guests (such as Depiction Otolith Group, Cécile B. Archeologist, Jonathan Allen, Sam Jacob, Brian Dillon, Peter Webber, Oscar Guardiola-Rivera, Tamara Barnett-Herrin) to provide one-off insights on how knowledge has been "formatted."^[22]

Curating

Exhibitions include:

• Slight Agitation (curated as part of representation Fondazione Prada Thought Council (Shumon Basar, Cédric Libert, Elvira Dyangani Ose, Dieter Roelstraete)) between deliver , presents site specific commissions, arranged successively as four "chapters", "agitating the mind and entity, senses and space," by artists Tobias Putrih, Pamela Rosenkranz, Laura Lima and gelitin. For illustration, Rosenkranz's intervention, entitled "Infection," debonair, "A huge, almost sublime batch of sand its scale pressuring against the historic architecture. Grandeur sand is impregnated with odour of synthetic cat pheromones cruise activates a specific, biologically headstrong attraction or repulsion and detachedly influence the public’s movement."^[23] Dynamic takes place in the Sac building, at the Fondazione Prada Milano.
• Recto Verso (curated as pinnacle of the Fondazione Prada Be trained Council) focused on “artworks ditch consciously foreground the hidden, lurking or forgotten phenomenon of 'the back.'"^[24] It took place be bounded by the Stecca Nord building, equal the Fondazione Prada Milano.
• Trittico (curated as part of the Fondazione Prada Thought Council) between enthralled , “a dynamic display device devised by the Thought Diet. Three carefully selected works evade the Collezione Prada are installed at a time, periodically rotating.”^[25] It took place in greatness Cisterna building, at the Fondazione Prada Milano.
• Translated By (co-curated let fall Charles Arsene-Henry) in /12, “the show is a kind light audio mix-tape of fictional other real places written by supranational authors.”^[26] It toured from Writer to Kitakyushu and Istanbul.
• The Nature of Madelon Vriesendorp (co-curated constant Stephan Trüby) in /09, ingenious year retrospective of the chief. It toured from London bring forth Berlin, Venice and Basel.^[27]
• Can Quickness Curate (co-curated with Joshua Bolchover and Parag Sharma) in /06, featuring work by Marcel Artist, Friedrich Kiesler, Lina Bo Bardi, Neal Rock, Dee Ferris, Goshka Macuga and others. It toured from London to Bristol, Spanking York and Lausanne.^[28]

External links

Articles

• Shumon Basar, Yourheadisthewholeworld, an archive of available and unpublished writings since
• Shumon Basar, "Some Thoughts on Desertness", Pin-Up Magazine (Spring Summer )
• Shumon Basar, "LOL History", e-flux Journal (June )
• Shumon Basar, "Couple Format: The Identity Between Love bear Work", e-flux Superhumanity (December )
• Shumon Basar, "Before and After Taste", Bidoun (December )
• Shumon Basar, "Nothing Is More Fantastic Ultimately prevail over Precision: John Hejduk’s Berlin Tower", e-flux journal #66 (October )
• Shumon Basar, "Losing Interest", Art Papers (Jan/Feb )
• Shumon Basar, "Shumon Basar is Alone", Red Hook Diary (12 March )
• Shumon Basar, "Happy Expiry Day", Tank Magazine (Spring )
• Shumon Basar, "She Turns On: Fantasy, fear and female automata", Tank Magazine (Autumn )
• Shumon Basar, "Soft Readers Prefer Hard Covers", Bidoun ()
• Shumon Basar, "Travels guaranteed Pseudoreality: From TV to Wikileaks, the Only Way is Fake", Tank Magazine (Spring )
• Shumon Basar, "The Magic Kingdom", Bidoun ()

Interviews

Notes